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home·artworks·Igreja de São João del Rey
Igreja de São João del Rey by Jose Pancetti

plate no. 0302

Igreja de São João del Rey

Jose Pancetti, 1945

oilPost-Impressionismcityscapebuildingtreearchitecturecityscapedoorbridge
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as simplifying complex architectural forms into basic shapes. It also provides practice in capturing the subtle variations in light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building, tree, and bridge, focusing on proportions and composition.

  2. step 02

    Block in the main color areas for the sky, building, tree foliage, and bridge using thin washes.

  3. step 03

    Start building up layers of color on the building, adding details like windows and architectural elements.

  4. step 04

    Develop the tree foliage by layering different shades of green and brown, using short, broken brushstrokes.

  5. step 05

    Refine the bridge, adding highlights and shadows to create a sense of depth.

  6. step 06

    Paint the red door, paying attention to its shape and the surrounding light.

  7. step 07

    Add final details and highlights to the entire painting, adjusting values and colors as needed.

  8. step 08

    Allow to dry and varnish.

color palette

primary · yellow ochre · sap green · titanium white · cadmium red

secondary · ultramarine blue · burnt umber

Mix greens by combining yellow ochre and ultramarine blue, and adjust with white for lighter tones. Create the building's off-white color by mixing white with a touch of yellow ochre and burnt umber.

techniques

  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using colors straight from the tube without mixing them properly.
  • →Not paying attention to the values and creating a flat, lifeless painting.
  • →Making the tree too uniform and lacking texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·mineral spirits or water (depending on medium)

optional

  • ·easel
  • ·painting medium
  • ·retarder

Use a medium-textured canvas to allow for better paint adhesion and texture.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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