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home·artworks·Houses in Pasture
Houses in Pasture by Julian Alden Weir

plate no. 3151

Houses in Pasture

Julian Alden Weir, 1890

pastel, pencil, paperTonalismlandscapelandscapehousespasturefieldskytrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through subtle color variations. It also provides practice in rendering textures of fields and foliage with loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of the houses and trees.

  2. step 02

    Establish the sky with a thin wash of muted yellow and gray, blending the colors softly.

  3. step 03

    Block in the general shapes of the field with broad strokes of brown, ochre, and green.

  4. step 04

    Add darker values to the trees and the shadows under the houses to create depth.

  5. step 05

    Begin adding details to the field, using broken brushstrokes to represent the grass and foliage.

  6. step 06

    Introduce subtle color variations to the field, using greens, yellows, and browns to create texture.

  7. step 07

    Add the cows with simple shapes and highlights to suggest form.

  8. step 08

    Refine the details and adjust the values to create a sense of atmosphere and depth.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · sap green · burnt sienna

Achieve the muted tones by mixing complementary colors and adding white. Use thin washes for the sky and build up layers for the field.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Creating too much contrast, which will flatten the image.
  • →Using colors that are too bright or saturated.
  • →Neglecting the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·rags

optional

  • ·painting medium
  • ·retarder

Use a toned canvas to help establish the muted color palette. Consider using a limited palette to simplify the color mixing process.

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how to draw →how to learn by studying the masters →
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