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home·artworks·House Workers in the Bronx
House Workers in the Bronx by Abraham Manievich

plate no. 7320

House Workers in the Bronx

Abraham Manievich

oilPost-Impressionismcityscapebuildingsfiguresskytreeslandscapecityscape
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using visible brushstrokes to add texture and energy to the scene. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, trees, and figures, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color, starting with the sky and then the background buildings.

  3. step 03

    Add darker values to define the shadows and create depth in the trees and buildings.

  4. step 04

    Begin adding details to the buildings, such as windows and doors, using small brushstrokes.

  5. step 05

    Paint the figures in the foreground, paying attention to their posture and clothing.

  6. step 06

    Add texture to the ground with short, broken brushstrokes, using a variety of warm and cool colors.

  7. step 07

    Refine the details and adjust the values to create a sense of atmosphere and light.

  8. step 08

    Add final highlights to the buildings and figures to create a focal point.

color palette

primary · raw umber · titanium white · ivory black

secondary · burnt sienna · yellow ochre · sap green

Mix various shades of gray and brown by combining raw umber, ivory black, and titanium white. Add small amounts of burnt sienna or yellow ochre to warm up the colors, and sap green to cool them down.

techniques

  • ·dry brush texture
  • ·broken color
  • ·layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, painterly feel.
  • →Using too much detail in the background, which can flatten the image.
  • →Not paying attention to the values, which can make the painting look muddy.
  • →Ignoring the atmospheric perspective, which can make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette knife

optional

  • ·linseed oil
  • ·turpentine
  • ·palette

Use a medium-sized canvas to allow for enough detail without being overwhelming. Consider using a toned canvas to create a more unified color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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