apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·House with trees
House with trees by Grace Cossington Smith

plate no. 3955

House with trees

Grace Cossington Smith, 1935

oilPost-Impressionismcityscapehousetreesskyfencefoliagearchitecture
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and understanding how to represent light and shadow using color rather than relying solely on value changes. It also encourages simplification of forms and expressive brushwork.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the house, trees, and fence, focusing on proportions and placement.

  2. step 02

    Establish the main color blocks for the sky, house, and foliage using thin washes.

  3. step 03

    Begin applying thicker paint with visible brushstrokes, layering colors to create texture and depth.

  4. step 04

    Focus on capturing the light and shadow patterns on the house and surrounding elements.

  5. step 05

    Mix and apply the various shades of pink and blue to represent the house and sky.

  6. step 06

    Use short, directional brushstrokes to define the shapes of the trees and foliage.

  7. step 07

    Add details to the fence and other foreground elements.

  8. step 08

    Refine the composition and add final touches to enhance the overall effect.

color palette

primary · pink · light blue · white

secondary · green · brown · yellow

Mix various shades of pink by combining red, white, and a touch of brown. Achieve the sky blues by mixing blue with white and a hint of purple. Greens are created by mixing blue and yellow, with variations achieved by adding brown or white.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color layering
  • ·expressive brushwork

common pitfalls

  • →Over-blending the colors, which can result in a muddy appearance.
  • →Failing to capture the subtle variations in color and value.
  • →Getting bogged down in details and losing the overall impressionistic effect.
  • →Not using enough paint, resulting in a thin and lifeless painting.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints (pink, light blue, white, green, brown, yellow)
  • ·Assorted flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil or acrylic medium

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use good quality paints for better color saturation. Consider using a textured canvas to enhance the brushwork effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov