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home·artworks·House at Santorini
House at Santorini by Konstantinos Maleas

plate no. 0641

House at Santorini

Konstantinos Maleas

oilPost-Impressionismlandscapebuildingsseaarchitecturelandscapeskyisland
suitable for beginners

Recreating this painting will help students understand how to simplify complex forms into geometric shapes and how to create a harmonious color palette using a limited range of earth tones. It also provides practice in creating depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the buildings, coastline, and horizon line.

  2. step 02

    Block in the sky with a thin wash of yellow ochre and white, creating a soft gradient.

  3. step 03

    Establish the main value blocks for the buildings and landscape using a mixture of burnt umber, raw sienna, and white.

  4. step 04

    Refine the shapes of the buildings, paying attention to the angles and proportions.

  5. step 05

    Add details to the buildings, such as windows and architectural features, using darker shades of brown and gray.

  6. step 06

    Paint the sea and coastline, using variations of gray and brown to create depth and texture.

  7. step 07

    Add highlights to the buildings and landscape to create a sense of light and shadow.

  8. step 08

    Refine the details and add any final touches to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · yellow ochre · payne's gray

Achieve the various shades of beige and brown by mixing burnt umber and raw sienna with varying amounts of white. Use yellow ochre to warm up the colors and Payne's gray to create cooler shadows.

techniques

  • ·blocking
  • ·value studies
  • ·dry brushing
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overcomplicating the shapes of the buildings.
  • →Using too much detail in the background.
  • →Creating harsh lines and edges.
  • →Failing to create a sense of depth and atmosphere.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·payne's gray oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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