
plate no. 1183
Edward Hopper, 1952
This painting is a good exercise in capturing light and shadow and creating a sense of atmosphere. Recreating it will help students develop skills in color mixing and creating realistic skin tones.
technical profile
approach — 8 steps
Sketch the basic shapes and composition, paying attention to proportions and perspective.
Block in the main areas of color, starting with the darkest shadows and working towards the highlights.
Refine the shapes and values, focusing on the light and shadow patterns.
Mix the skin tones carefully, using a limited palette of colors.
Add details to the figures and objects, such as the facial features and the folds in the clothing.
Pay attention to the edges of the shapes, softening some and sharpening others to create depth.
Glaze thin layers of color to unify the painting and add depth.
Add final highlights and shadows to create a sense of realism.
color palette
primary · ultramarine blue · burnt umber · titanium white · yellow ochre
secondary · cadmium red · viridian green
Mix various shades of gray and blue for the walls. Use yellow ochre and white for the building exterior. Create skin tones by mixing white, red, yellow ochre, and a touch of blue.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider pre-toning the canvas with a thin wash of burnt umber.
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