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home·artworks·Hillside Village
Hillside Village by Maurice Prendergast

plate no. 0883

Hillside Village

Maurice Prendergast, 1913

watercolor, paperNaïve Art (Primitivism)genre paintingvillagetreeshouseslandscapehillsky
some experience helpful

Recreating this painting will help students develop skills in layering transparent washes and using color to define form rather than relying on precise outlines. It also encourages a more expressive and less literal approach to landscape painting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the houses, trees, and hillside.

  2. step 02

    Begin with a light wash of blue for the sky, allowing it to blend and create soft clouds.

  3. step 03

    Apply a light green wash for the distant hills and foreground, leaving some areas white for highlights.

  4. step 04

    Layer in the darker blues and purples for the trees and shadows on the hillside, using broken brushstrokes.

  5. step 05

    Add the warm colors (reds, oranges, yellows) to the trees in the foreground, building up layers of color.

  6. step 06

    Paint the houses with a light wash of white or cream, adding shadows with diluted blues and purples.

  7. step 07

    Define the road with washes of pink, purple, and yellow, creating a sense of depth.

  8. step 08

    Add final details and accents with darker colors, such as the tree trunks and window details.

color palette

primary · cerulean blue · cadmium red · lemon yellow

secondary · viridian green · purple · burnt sienna

Mix greens by combining blues and yellows. Achieve purples by blending blues and reds. Use water to dilute colors and create transparent washes.

techniques

  • ·wet-on-wet blending
  • ·layering washes
  • ·broken brushstrokes
  • ·color mixing
  • ·dry brushing

common pitfalls

  • →Overworking the painting and losing the freshness of the washes.
  • →Using too much water and creating muddy colors.
  • →Being too precise with the drawing and losing the expressive quality.
  • →Not allowing washes to dry completely before layering.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints (tubes or pans)
  • ·watercolor paper (140lb or heavier)
  • ·round watercolor brushes (various sizes)
  • ·flat watercolor brush
  • ·water container
  • ·palette for mixing colors
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·spray bottle

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying textures.

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