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home·artworks·Hills with blue shades
Hills with blue shades by Istvan Nagy

plate no. 9911

Hills with blue shades

Istvan Nagy, 1932

oilPost-Impressionismlandscapehillstreessnowlandscapeskybuildings
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using expressive brushstrokes to convey texture. It also encourages simplification of forms and focus on overall mood.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the hills, trees, and buildings, focusing on composition.

  2. step 02

    Apply a thin wash of light yellow/ochre for the sky and a muted green/brown for the distant hills.

  3. step 03

    Block in the larger areas of snow with white mixed with a touch of blue and brown.

  4. step 04

    Add the blue shadows on the snow using short, directional strokes.

  5. step 05

    Paint the trees and buildings with dark browns and blacks, using vertical and diagonal strokes to suggest branches and structure.

  6. step 06

    Layer additional colors and textures onto the hills and snow to create depth and interest.

  7. step 07

    Refine the details of the trees and buildings, adding highlights and shadows.

  8. step 08

    Adjust the overall color balance and contrast to achieve the desired mood.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · raw sienna · payne's gray

Mix white with small amounts of blue and brown to create the cool snow shadows. Vary the proportions to achieve different shades. Use yellow ochre and burnt umber to create the base for the sky and hills, then add small amounts of blue or green for variation.

techniques

  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·broken color
  • ·directional strokes

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Making the colors too bright and saturated.
  • →Failing to create a sense of depth and atmosphere.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·painting easel
  • ·rags
  • ·odorless mineral spirits (for oil paints)
  • ·retarder medium (for acrylics)

Use a canvas with a medium texture to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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