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home·artworks·Helene Vary
Helene Vary by Henri de Toulouse-Lautrec

plate no. 0720

Helene Vary

Henri de Toulouse-Lautrec, 1889

cardboardPost-Impressionismportraitfigureportraitchairbackgroundwomanpaper
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and gesture, as well as understanding how to create depth and atmosphere with a limited color palette and visible brushstrokes. Students will also learn how to simplify complex forms and create a sense of movement and energy in their paintings.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figure, chair, and background.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the entire canvas.

  3. step 03

    Begin building up the darker values in the figure's clothing and hair, using short, broken brushstrokes.

  4. step 04

    Focus on capturing the subtle variations in skin tone, using a mix of warm and cool colors.

  5. step 05

    Add details to the chair and background, paying attention to the way the light falls on the surfaces.

  6. step 06

    Refine the facial features, focusing on the eyes, nose, and mouth.

  7. step 07

    Add highlights and shadows to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · ivory black · raw umber · yellow ochre

secondary · Prussian blue · Venetian red

Mix black with raw umber to create the dark tones of the dress. Use yellow ochre and Venetian red to create the skin tones, and add a touch of blue to cool them down.

techniques

  • ·broken brushstrokes
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·limited palette

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details and losing sight of the overall composition.
  • →Failing to capture the subtle variations in skin tone.
  • →Using too much black and creating a muddy effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·Venetian red oil paint
  • ·Prussian blue oil paint
  • ·#4 round brush
  • ·#6 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas to allow for visible brushstrokes. Consider using a toned canvas to create a warmer base for the painting.

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color theory for painters →how to learn by studying the masters →
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