apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Head of a Moor by Henri Regnault
Head of a Moor by Henri Regnault by Henri Regnault

plate no. 8174

Head of a Moor by Henri Regnault

Henri Regnault, 1870

oilOrientalismportraitportraitfigureheadmanclothinghair
some experience helpful

This painting offers practice in capturing a likeness using a limited palette and focusing on value relationships to define form. Students will also learn to create texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the head and shoulders.

  2. step 02

    Establish the background color with broad strokes of yellow and ochre.

  3. step 03

    Block in the darkest values of the hair, beard, and shadows on the face.

  4. step 04

    Begin adding mid-tones to the face, blending to create smooth transitions.

  5. step 05

    Introduce the red of the clothing, paying attention to folds and highlights.

  6. step 06

    Refine the facial features, focusing on the eyes, nose, and mouth.

  7. step 07

    Add highlights to the face, hair, and clothing to create depth.

  8. step 08

    Adjust values and details as needed to achieve a likeness.

color palette

primary · yellow ochre · burnt umber · cadmium red · ivory black

secondary · raw sienna · titanium white

Mix various shades of brown and black by combining burnt umber, ivory black, and a touch of red. Use white to lighten these mixtures for highlights. Mix red with burnt umber for deeper shadows in the clothing.

techniques

  • ·alla prima
  • ·value study
  • ·dry brushing
  • ·blending
  • ·scumbling

common pitfalls

  • →Overblending, which can flatten the image.
  • →Getting the proportions of the face wrong.
  • →Using too much white, which can make the colors look chalky.
  • →Ignoring the subtle value changes in the skin.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

A View of the Tomb of the Caliphs with the Pyramids of Giza Beyond, Cairo

Hermann David Salomon Corrodi

Young Rider With A Rifle

Young Rider With A Rifle

Nasreddine Dinet

The Harem Dance

The Harem Dance

Giulio Rosati

The arms merchant

The arms merchant

Gustavo Simoni

Oriental woman

Oriental woman

Jean-François Portaels

A Bedouin Encampment

A Bedouin Encampment

Eugène Girardet

The sphinx of Geezah

The sphinx of Geezah

Carl Haag

A Chinesa

A Chinesa

Anita Malfatti