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home·artworks·Head of a girl
Head of a girl by Moise Kisling

plate no. 0677

Head of a girl

Moise Kisling

oil, canvasPost-Impressionismportraitportraitfigurehairfaceeyeslips
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in blending and layering paint to create smooth transitions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the head, hair, and facial features.

  2. step 02

    Block in the background with a thin layer of ochre and brown.

  3. step 03

    Establish the main skin tones using a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Begin layering and blending the skin tones, paying attention to highlights and shadows.

  5. step 05

    Paint the hair, using variations of red, brown, and black to create depth and texture.

  6. step 06

    Add details to the eyes, nose, and mouth, focusing on accurate proportions and subtle shading.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · titanium white · burnt sienna · cadmium red

secondary · ultramarine blue · ivory black

Mix skin tones by combining white, yellow ochre, and a touch of red. Use blue and black sparingly to create shadows and depth.

techniques

  • ·blending
  • ·layering
  • ·color mixing
  • ·portraiture
  • ·glazing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Incorrect proportions of facial features.
  • →Ignoring subtle variations in skin tone.
  • →Overworking the painting and losing freshness.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow ochre, titanium white, burnt sienna, cadmium red, ultramarine blue, ivory black)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-sized canvas (e.g., 12x16 inches) for easier handling. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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