apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Hat with flowers
Hat with flowers by Jan Sluyters

plate no. 0738

Hat with flowers

Jan Sluyters

oilPost-Impressionismstill lifeflowershatstill lifewindowcandleglass
some experience helpful

Recreating this painting will help students develop skills in color mixing, layering, and capturing the essence of a subject with simplified forms and visible brushstrokes. It's a good exercise in understanding color temperature and how it affects the overall mood of a painting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the hat, flowers, and other objects.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall color scheme.

  3. step 03

    Begin layering colors, focusing on the subtle variations within each area. Pay attention to the interplay of light and shadow.

  4. step 04

    Add details to the flowers, using small, broken brushstrokes to create texture.

  5. step 05

    Define the shapes of the objects with darker values, adding depth and dimension.

  6. step 06

    Refine the background, paying attention to the window and the reflected image.

  7. step 07

    Add final highlights and details to create a sense of realism.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the composition, color, or value.

color palette

primary · ultramarine blue · titanium white · purple

secondary · red · yellow ochre · black

Mix various shades of blue and purple by combining ultramarine blue with white and small amounts of red or black. Achieve the flower colors by mixing white with tiny amounts of red and yellow.

techniques

  • ·broken color
  • ·layering
  • ·color mixing
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, expressive quality of the original.
  • →Failing to capture the subtle color variations within each area.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of light and shadow in creating depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·purple oil paint
  • ·red oil paint
  • ·yellow ochre oil paint
  • ·black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov