apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Harmonizing
Harmonizing by Horace Pippin

plate no. 3937

Harmonizing

Horace Pippin, 1944

oilNaïve Art (Primitivism)genre paintingfiguresfencebuildingsstreettreessky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and understanding how to create texture with visible brushstrokes. It also encourages observation of color relationships in a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figures, fence, buildings, and street.

  2. step 02

    Block in the large areas of color for the sky, fence, and buildings using diluted paint.

  3. step 03

    Start defining the figures with their respective clothing colors, paying attention to the light and shadow.

  4. step 04

    Add details to the fence, creating the wood grain texture with short, deliberate brushstrokes.

  5. step 05

    Develop the background buildings, focusing on their geometric shapes and color variations.

  6. step 06

    Refine the figures' features and clothing details, adding highlights and shadows to create depth.

  7. step 07

    Add the details of the street and the foliage, using varied brushstrokes to create texture.

  8. step 08

    Make final adjustments to the colors and values to achieve the desired effect.

color palette

primary · raw umber · yellow ochre · ultramarine blue

secondary · titanium white · cadmium red light · phthalo blue

Mix raw umber and white for the fence. Use yellow ochre with a touch of red for the figures' clothing. Mix ultramarine blue and white for the sky, adding a touch of yellow ochre for a muted tone.

techniques

  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·layering
  • ·simplification

common pitfalls

  • →Overworking the details and losing the simplicity of the style.
  • →Using colors straight from the tube without mixing, resulting in a flat and unrealistic look.
  • →Not paying attention to the proportions of the figures and buildings.
  • →Ignoring the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a canvas with a smooth texture to allow for easier blending and detail work. Consider using a limited palette of colors to encourage mixing and color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden