apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Great Tree at Mártély
Great Tree at Mártély by Janos Tornyai

plate no. 3652

Great Tree at Mártély

Janos Tornyai, 1910

oilPost-Impressionismlandscapetreelandscapeskyfieldfigurehorizon
some experience helpful

This painting provides practice in layering colors and creating form with visible brushstrokes. Students will learn to simplify a complex subject into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: horizon line, tree outline, and foreground.

  2. step 02

    Block in the sky with a thin layer of light blue, leaving some areas unpainted for texture.

  3. step 03

    Paint the foreground with a dark brown, establishing the basic shape and value.

  4. step 04

    Begin layering the tree with dark browns and oranges, using short, broken brushstrokes.

  5. step 05

    Add highlights to the tree with lighter oranges and yellows, focusing on areas where light hits.

  6. step 06

    Refine the shapes and edges of the tree, adding darker values in the shadows.

  7. step 07

    Add the small figure and the pole on the right.

  8. step 08

    Make final adjustments to the colors and values to create depth and atmosphere.

color palette

primary · burnt umber · ultramarine blue · yellow ochre · cadmium orange

secondary · titanium white · raw sienna

Mix browns by combining burnt umber and ultramarine blue. Create lighter oranges by mixing cadmium orange with yellow ochre and titanium white. Vary the blues in the sky by adding white and a touch of yellow ochre.

techniques

  • ·broken brushstrokes
  • ·layering
  • ·color mixing
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Making the colors too saturated and not capturing the muted tones.
  • →Not establishing a strong value structure before adding color.
  • →Creating too much symmetry in the tree shape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium orange oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a slightly textured surface to enhance the brushwork. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov