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home·artworks·Grandpa Listening In on the Wireless
Grandpa Listening In on the Wireless by Norman Rockwell

plate no. 5836

Grandpa Listening In on the Wireless

Norman Rockwell, 1920

oil, canvasRegionalismgenre paintingfiguresportraittechnologyinteriortablewires
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to depict complex objects and their textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Focus on establishing the light and shadow patterns to create depth and form.

  4. step 04

    Develop the skin tones of the figures, paying attention to subtle color variations.

  5. step 05

    Add details to the clothing and objects, such as the wires and headphones.

  6. step 06

    Refine the edges and details to create a sense of realism.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the subjects.

  8. step 08

    Apply a final glaze to unify the colors and create a soft, luminous effect.

color palette

primary · ivory black · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · raw sienna

Achieve skin tones by mixing yellow ochre, cadmium red, and a touch of ivory black or burnt umber. Use ultramarine blue and burnt umber to create the darker shades in the clothing and background.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering

common pitfalls

  • →Incorrect proportions of the figures
  • →Overblending the skin tones
  • →Failing to capture the likeness of the subjects
  • →Ignoring the subtle color variations in the shadows
  • →Getting the perspective of the objects wrong

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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