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home·artworks·Grande Vue De Brooklyn Panoramique 3
Grande Vue De Brooklyn Panoramique 3 by Pietropoli Patrick

plate no. 6460

Grande Vue De Brooklyn Panoramique 3

Pietropoli Patrick

oil, linenContemporary Realismcityscapecityscapebuildingsskyarchitectureurbanrooftops
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also offers practice in rendering textures using visible brushstrokes and a limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and the horizon line, focusing on the overall composition.

  2. step 02

    Establish the dark sky with a thin wash of black and grey.

  3. step 03

    Block in the general values of the buildings using a mix of browns, greys, and ochre.

  4. step 04

    Begin layering details on the buildings, adding windows, architectural features, and variations in color and value.

  5. step 05

    Use dry brush techniques to create texture on the building surfaces.

  6. step 06

    Soften edges and blend colors to create atmospheric perspective, making distant buildings appear less defined.

  7. step 07

    Add highlights to suggest light sources and create contrast.

  8. step 08

    Refine details and adjust values to achieve a cohesive and realistic representation.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · yellow ochre · cadmium red light

Mix browns and greys by combining burnt umber, raw sienna, black, and white. Add small amounts of blue or red to adjust the temperature of the greys.

techniques

  • ·dry brush
  • ·layering
  • ·atmospheric perspective
  • ·scumbling
  • ·value studies

common pitfalls

  • →Overworking details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a canvas with a medium texture to enhance the dry brush effect. Consider using a toned canvas (e.g., raw umber) to establish a base tone.

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oil painting for beginners →how to learn by studying the masters →
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