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home·artworks·Ancient Division. Behind the wall of the Florovsky monastery
Ancient Division. Behind the wall of the Florovsky monastery by Yuriy Khymych

plate no. 6422

Ancient Division. Behind the wall of the Florovsky monastery

Yuriy Khymych, 1979

gouachePost-Impressionismcityscapecityscapebuildingsfiguresmonasterystreetsky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using a limited palette to create a cohesive color scheme. It also provides practice in creating depth through overlapping shapes and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and figures, focusing on proportions and placement.

  2. step 02

    Block in the sky with a light blue-gray wash.

  3. step 03

    Apply the base colors for the buildings: yellow for the front buildings, purple for the sides, and white for the distant buildings.

  4. step 04

    Add the teal color to the domes of the monastery.

  5. step 05

    Paint the figures with simplified shapes and dark colors.

  6. step 06

    Add details to the buildings, such as windows, doors, and roof lines.

  7. step 07

    Create the cobblestone street with gray tones and simple brushstrokes.

  8. step 08

    Add final touches and highlights to create depth and dimension.

color palette

primary · yellow ochre · purple · teal · white

secondary · light blue-gray · black · red

Mix the teal by combining blue and green with a touch of white. Create the purple by mixing blue and red. Vary the yellow ochre with touches of white and brown for subtle variations.

techniques

  • ·blocking in
  • ·simplified shapes
  • ·limited palette
  • ·atmospheric perspective
  • ·dry brush texture

common pitfalls

  • →Overcomplicating the details of the buildings.
  • →Using too many colors, which can make the painting look chaotic.
  • →Ignoring the importance of value contrast to create depth.
  • →Not simplifying the figures enough, making them appear out of place.

materials

surface · watercolor paper 140lb

required

  • ·gouache paints
  • ·watercolor paper
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·palette knife
  • ·masking tape
  • ·easel

Using thicker paper will prevent buckling when applying the gouache. Consider using masking tape to create a clean border around the painting.

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related guides

color theory for painters →how to learn by studying the masters →
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