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home·artworks·Govett's Leap
Govett's Leap by Grace Cossington Smith

plate no. 5933

Govett's Leap

Grace Cossington Smith, 1933

oilPost-Impressionismlandscapewaterfallmountainstreeslandscapefoliagesky
some experience helpful

Recreating this painting will help students develop skills in broken color techniques and understanding how to represent form through distinct brushstrokes rather than smooth blending. It also encourages simplification of complex scenes into basic shapes and color blocks.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountain, waterfall, and surrounding landscape.

  2. step 02

    Establish the horizon line and general composition.

  3. step 03

    Block in the large areas of color using simplified shapes.

  4. step 04

    Apply distinct brushstrokes to build up texture and form, following the direction of the underlying shapes.

  5. step 05

    Mix and apply variations of color within each area to create depth and interest.

  6. step 06

    Add highlights and shadows to define the forms further.

  7. step 07

    Refine the details, paying attention to the direction and placement of each brushstroke.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · titanium white

secondary · viridian green · purple · raw umber

Mix greens by combining yellow ochre and ultramarine blue, and adjust with white for lighter shades. Achieve earth tones by mixing burnt sienna, raw umber, and ultramarine blue. Use white to create variations in value.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color layering
  • ·directional brushstrokes

common pitfalls

  • →Over-blending the colors, which will lose the distinct brushstroke effect.
  • →Not simplifying the shapes enough, leading to a cluttered composition.
  • →Ignoring the direction of the brushstrokes, which can flatten the forms.
  • →Using colors straight from the tube without mixing variations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 4, 8, 12)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·artist grade gesso
  • ·soft cloth

optional

  • ·painting medium
  • ·easel
  • ·varnish

Using a textured canvas can enhance the effect of the brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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