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home·artworks·Good Night
Good Night by Nicolae Tonitza

plate no. 9221

Good Night

Nicolae Tonitza, 1920

oilPost-Impressionismportraitfigureschildrenportraitdollpatterned backgroundclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing the essence of a subject's mood through subtle expressions. It also provides practice in rendering patterned backgrounds without overwhelming the main subject.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and key objects.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figures' skin and clothing.

  3. step 03

    Develop the skin tones by layering and blending different shades of pink, yellow, and brown.

  4. step 04

    Refine the details of the faces, paying attention to the eyes, nose, and mouth.

  5. step 05

    Add the details of the clothing, doll, and patterned background.

  6. step 06

    Adjust the values and colors to create depth and dimension.

  7. step 07

    Add highlights and shadows to enhance the form and create a sense of realism.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red · viridian green · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red or burnt umber. Create the background colors by mixing blue with various amounts of yellow, red, and white.

techniques

  • ·layering
  • ·blending
  • ·scumbling
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Losing the likeness of the figures.
  • →Getting lost in the details of the background and neglecting the main subject.
  • →Ignoring the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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