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home·artworks·Golden cypress trees
Golden cypress trees by Santiago Rusinol

plate no. 8798

Golden cypress trees

Santiago Rusinol

oilPost-Impressionismlandscapetreeslandscapepathfountainfoliagegarden
some experience helpful

Recreating this painting will help students develop skills in creating depth through atmospheric perspective and understanding how light interacts with foliage. It also provides practice in rendering textures with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the path and the placement of the trees and fountain.

  2. step 02

    Establish the sky and background with thin washes of color.

  3. step 03

    Block in the main shapes of the trees, paying attention to the light and shadow patterns.

  4. step 04

    Add the darker tones of the cypress trees in the background.

  5. step 05

    Define the path with layers of warm and cool browns, creating the effect of sunlight and shadow.

  6. step 06

    Paint the fountain, focusing on its cylindrical form and the reflections of light.

  7. step 07

    Add details to the foliage and foreground, using short, broken brushstrokes to create texture.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · sap green · ultramarine blue

Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the warm tones of the trees and path by mixing burnt umber with yellow ochre and white.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering
  • ·dry brushing

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Neglecting the importance of light and shadow in defining the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt umber, titanium white, sap green, ultramarine blue)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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