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home·artworks·Gloucester Harbor
Gloucester Harbor by John French Sloan

plate no. 6103

Gloucester Harbor

John French Sloan, 1916

oil, canvasNew Realismcityscapeharborbuildingswaterskycloudsboats
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and understanding how to simplify complex scenes into basic shapes and forms. It also provides practice in capturing the essence of a scene with expressive brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: horizon line, major buildings, and cloud formations.

  2. step 02

    Block in the sky with varying shades of blue and white, focusing on the cloud shapes.

  3. step 03

    Establish the water with horizontal strokes, reflecting the sky's colors and adding subtle variations.

  4. step 04

    Define the buildings with simplified geometric forms, using greens, browns, and grays.

  5. step 05

    Paint the large, dark structure in the foreground, paying attention to its form and shadow.

  6. step 06

    Add details to the buildings, such as windows and roofs, using smaller brushstrokes.

  7. step 07

    Include boats and other small elements to add interest and scale.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt umber

secondary · sap green · cadmium yellow · raw sienna

Mix blues and whites for the sky, adding a touch of yellow ochre for warmth. Create greens by mixing blues and yellows, and browns by combining umber with blues and yellows. Use white to lighten values and create highlights.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·simplification of form

common pitfalls

  • →Overworking details too early
  • →Failing to establish a clear value structure
  • →Ignoring atmospheric perspective and color temperature
  • →Using colors straight from the tube without mixing

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use a medium-textured canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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