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home·artworks·Gladíolos (palmas de Santa Rita)
Gladíolos (palmas de Santa Rita) by Anita Malfatti

plate no. 0470

Gladíolos (palmas de Santa Rita)

Anita Malfatti

oilPost-Impressionismflower paintingflowersstill lifefloral arrangementleavesgladiolus
some experience helpful

Recreating this painting will help students develop skills in layering paint, capturing the form of flowers through brushstrokes, and understanding color temperature variations within a limited palette. It also provides practice in creating depth and dimension through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and placement of the flowers and leaves.

  2. step 02

    Block in the background with a thin wash of color.

  3. step 03

    Establish the darkest values in the shadows of the flowers and leaves.

  4. step 04

    Begin layering in the mid-tones and highlights, focusing on the form of each petal.

  5. step 05

    Add details to the flowers, such as the veins and edges of the petals.

  6. step 06

    Refine the background and adjust the values to create depth.

  7. step 07

    Add final highlights and details to the flowers and leaves.

  8. step 08

    Evaluate the painting and make any necessary adjustments.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium orange

secondary · viridian green · raw sienna · alizarin crimson

Mix white with small amounts of yellow ochre and burnt umber to create the off-white tones of the flowers. Use burnt umber and alizarin crimson for the darker shadows. Mix yellow ochre and cadmium orange for the yellow flowers.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·blending
  • ·impasto

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Not paying attention to the subtle value changes in the flowers.
  • →Making the colors too saturated and unrealistic.
  • →Ignoring the importance of the background in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grit canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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