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home·artworks·Gitwangak, Queen Charlotte Islands
Gitwangak, Queen Charlotte Islands by Emily Carr

plate no. 9426

Gitwangak, Queen Charlotte Islands

Emily Carr, 1912

oilPost-Impressionismlandscapetotem polesbuildingsfigureslandscapeskytrees
some experience helpful

This painting helps develop skills in layering colors and creating texture with visible brushstrokes. Students can learn to simplify complex forms into basic shapes and practice atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the totem poles, buildings, and landscape, paying attention to their relative sizes and positions.

  2. step 02

    Block in the sky with light blue and white, using short, broken brushstrokes to create a textured effect.

  3. step 03

    Establish the base colors for the land and buildings, using a mix of browns, greens, and oranges.

  4. step 04

    Add details to the totem poles, focusing on the shapes and patterns of the carvings.

  5. step 05

    Layer colors on the land to create depth and texture, using darker greens and browns in the foreground and lighter colors in the background.

  6. step 06

    Paint the figures with simple shapes and colors, suggesting their form and movement.

  7. step 07

    Add highlights and shadows to the buildings and totem poles to create a sense of volume.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired effect.

color palette

primary · ultramarine blue · yellow ochre · burnt sienna · titanium white

secondary · cadmium orange · viridian green · raw umber

Mix greens by combining blue and yellow. Use white to lighten colors and create atmospheric perspective. Browns can be achieved by mixing red, yellow, and blue.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·atmospheric perspective
  • ·simplified forms

common pitfalls

  • →Overworking the details
  • →Using too much detail in the background
  • →Not establishing a clear focal point
  • →Ignoring the importance of color mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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