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home·artworks·Girl with green scarf
Girl with green scarf by Le Pho

plate no. 8855

Girl with green scarf

Le Pho, 1982

oilPost-Impressionismgenre paintingfigurescarfflowersvasemirrorinterior
some experience helpful

Recreating this painting will help students develop skills in subtle color blending and creating a sense of depth through layering and atmospheric perspective. It also provides practice in rendering soft, diffused light and delicate fabrics.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the figure's pose and the placement of objects.

  2. step 02

    Establish the background colors with thin washes, working from dark to light.

  3. step 03

    Block in the main colors of the figure and objects, paying attention to the overall color harmony.

  4. step 04

    Begin blending the colors on the figure to create smooth transitions and soft edges.

  5. step 05

    Add details to the face, hands, and flowers, using small brushes and subtle color variations.

  6. step 06

    Refine the background and add any remaining details, such as the reflections in the mirror.

  7. step 07

    Glaze thin layers of color to adjust the overall tone and create depth.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · titanium white · ultramarine blue · yellow ochre

secondary · viridian · alizarin crimson · ivory black

Achieve the skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Create the green scarf by blending viridian with white and a hint of yellow ochre. Mix the background blues by varying the amount of ultramarine blue and white.

techniques

  • ·glazing
  • ·soft blending
  • ·color layering
  • ·atmospheric perspective
  • ·scumbling

common pitfalls

  • →overworking the details
  • →creating harsh lines
  • →using colors that are too saturated
  • →not paying attention to the overall color harmony

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·viridian oil paint
  • ·alizarin crimson oil paint
  • ·ivory black oil paint
  • ·assorted brushes (small round, flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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