
plate no. 2514
George Pemba, 1957
Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and capturing likeness, as well as understanding how to create depth and form with color and brushstrokes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure and background.
Establish the main areas of light and shadow with a thin wash of color.
Begin building up the skin tones, using a limited palette and focusing on subtle value changes.
Paint the clothing, paying attention to the folds and highlights.
Add details to the face, such as the eyes, nose, and mouth.
Develop the background, including the building and foliage.
Refine the details and add final touches, such as highlights and shadows.
Varnish the painting when dry to protect the surface.
color palette
primary · ultramarine blue · burnt umber · yellow ochre · titanium white
secondary · viridian green · cadmium yellow light
Mix burnt umber and ultramarine blue for darks, add yellow ochre and white for highlights. Use viridian green mixed with yellow ochre and white for the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress