apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Girl with Bare Shoulders
Girl with Bare Shoulders by Gwen John

plate no. 4197

Girl with Bare Shoulders

Gwen John, 1909

oil, canvasPost-Impressionismportraitfigureportraitdressbowshadowwall
some experience helpful

Recreating this painting will help students develop skills in subtle color mixing, portrait proportions, and rendering soft light and shadow. It also provides practice in capturing a sense of quiet introspection.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions of the figure, focusing on the head, shoulders, and overall pose.

  2. step 02

    Block in the background with a thin layer of muted green-gray.

  3. step 03

    Establish the main areas of light and shadow on the figure, using a limited palette of earth tones and white.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle variations in skin tone.

  5. step 05

    Develop the details of the dress, capturing the folds and textures with soft brushstrokes.

  6. step 06

    Add the black bow and sash, using a mix of black and brown to create depth.

  7. step 07

    Soften edges and blend transitions to create a sense of atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · ivory black · yellow ochre · viridian

Achieve the skin tones by mixing white, raw umber, and a touch of burnt sienna. Mute the greens for the background by mixing viridian with raw umber and white.

techniques

  • ·underpainting
  • ·glazing
  • ·soft blending
  • ·chiaroscuro
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too bright or saturated.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (titanium white, raw umber, burnt sienna, ivory black, yellow ochre, viridian)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a canvas with a fine weave for smoother blending. Consider using a toned ground to simplify the initial blocking-in process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov