
plate no. 2346
Eugeniusz Zak, 1921
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating subtle gradations of light and shadow. It also provides practice in capturing the likeness of a subject in profile.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, neck, and headscarf.
Establish the background color with a thin wash of dark green.
Block in the main areas of color for the skin, headscarf, and clothing using slightly diluted paint.
Begin to build up the skin tones, focusing on the subtle shifts in value and color.
Refine the shape and folds of the headscarf, paying attention to the highlights and shadows.
Add details to the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.
Adjust the overall values and colors to create a sense of depth and dimension.
Add final highlights and details to complete the painting.
color palette
primary · titanium white · yellow ochre · burnt sienna · alizarin crimson
secondary · viridian green · raw umber
Achieve skin tones by mixing titanium white, yellow ochre, burnt sienna, and a touch of alizarin crimson. Darken the green background by mixing viridian green with raw umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (e.g., 12x16 inches) is recommended for beginners.
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