
plate no. 4904
Lucian Freud, 1952
Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and capturing subtle expressions. It also provides practice in depicting fabric and folds.
technical profile
approach — 8 steps
Create a light sketch of the figure and bed on the canvas, paying attention to proportions and composition.
Block in the background with a thin layer of grey.
Establish the basic skin tones using a mix of yellow ochre, white, and a touch of red.
Begin layering the skin tones, adding highlights and shadows to define the form of the face and hands.
Paint the hair, using variations of yellow ochre and burnt umber to create depth and texture.
Render the bedsheets, using white and grey to depict the folds and shadows.
Refine the details of the face, paying attention to the eyes, nose, and mouth.
Add final touches and highlights to complete the painting.
color palette
primary · yellow ochre · titanium white · burnt umber
secondary · ultramarine blue · cadmium red · grey
Skin tones are achieved by mixing yellow ochre, white, and small amounts of red. Vary the proportions to create highlights and shadows. Use ultramarine blue and burnt umber to create a neutral grey.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.
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