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home·artworks·Girl in a Fur, Mademoiselle Jeanne Fontaine
Girl in a Fur, Mademoiselle Jeanne Fontaine by Henri de Toulouse-Lautrec

plate no. 6615

Girl in a Fur, Mademoiselle Jeanne Fontaine

Henri de Toulouse-Lautrec, 1891

oil, boardPost-Impressionismportraitportraitfigurefurclothinghairprofile
some experience helpful

Recreating this painting will help students develop skills in capturing the essence of a portrait with loose brushstrokes and understanding color relationships to create depth and form. It also encourages experimentation with layering and blending to achieve a textured effect.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and the overall pose.

  2. step 02

    Establish the background with broad, vertical strokes of ochre, yellow, and a touch of green.

  3. step 03

    Block in the main areas of color: the red coat, the fur collar, and the skin tones.

  4. step 04

    Begin to refine the facial features, paying attention to the subtle shifts in color and value.

  5. step 05

    Add details to the fur collar, using short, broken strokes to suggest texture.

  6. step 06

    Develop the folds and shadows in the red coat, using darker shades of red and brown.

  7. step 07

    Refine the hair, using a combination of light and dark tones to create volume and dimension.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · red · ochre · yellow

secondary · green · brown · white

Mix various shades of red by adding brown, ochre, or a touch of blue. Create skin tones by blending white, yellow, ochre, and a tiny amount of red. Achieve the fur color by mixing ochre, brown, and white with small touches of yellow.

techniques

  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the details, which can lead to a stiff and lifeless painting.
  • →Failing to capture the subtle shifts in color and value, resulting in a flat and unconvincing image.
  • →Not paying enough attention to the proportions of the figure.
  • →Using too much paint, which can obscure the texture of the board.

materials

surface · gessoed board

required

  • ·Oil paints (red, ochre, yellow, green, brown, white)
  • ·Palette
  • ·Brushes (various sizes, including a small round brush and a flat brush)
  • ·Linseed oil or other painting medium
  • ·Odorless mineral spirits or turpentine
  • ·Rags or paper towels
  • ·Palette knife
  • ·Gessoed board or canvas panel

optional

  • ·Retouch varnish
  • ·Easel
  • ·Color chart

A slightly textured board will enhance the broken color effect. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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