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home·artworks·Girl Head
Girl Head by Nicolae Tonitza

plate no. 3408

Girl Head

Nicolae Tonitza

oilPost-Impressionismportraitportraitfigurewomandresshairfloral background
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating a sense of depth through layering and soft blending. It also provides practice in capturing subtle expressions and using a limited color palette effectively.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the head, shoulders, and hair, paying attention to proportions.

  2. step 02

    Block in the background with a light yellow-beige wash, adding the floral pattern with diluted blues and grays.

  3. step 03

    Establish the main skin tones using a mix of yellow ochre, white, and a touch of red.

  4. step 04

    Define the shadows and highlights on the face and neck, using darker and lighter variations of the skin tone mix.

  5. step 05

    Paint the hair with dark brown and black, adding subtle highlights to suggest form.

  6. step 06

    Block in the red dress, varying the tone to create folds and shadows.

  7. step 07

    Refine the facial features, paying attention to the eyes, lips, and nose.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and expressive portrait.

color palette

primary · yellow ochre · titanium white · cadmium red · ivory black

secondary · ultramarine blue · burnt umber

Mix yellow ochre, white, and a touch of red for the base skin tone. Add burnt umber and blue to darken the skin tone for shadows. Mix red with a touch of black for the dress. Use white and blue to create the background floral pattern.

techniques

  • ·color mixing
  • ·blending
  • ·layering
  • ·portraiture
  • ·scumbling

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the subtle expression of the subject.
  • →Using too much detail and losing the overall impressionistic feel.
  • →Ignoring the importance of value contrast in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (yellow ochre, titanium white, cadmium red, ivory black, ultramarine blue, burnt umber)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use a medium-tooth canvas for a slightly textured surface. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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