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Girl by Fujishima Takeji

plate no. 7369

Girl

Fujishima Takeji, 1940

oilPost-Impressionismportraitportraitfigurehairclothingfacelace
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the head, hair, and shoulders, paying attention to proportions.

  2. step 02

    Block in the background with a light blue wash.

  3. step 03

    Establish the main skin tones using a mix of yellows, reds, and browns.

  4. step 04

    Define the shadows and highlights on the face to create depth.

  5. step 05

    Paint the hair with dark browns and blacks, using short, directional brushstrokes to suggest texture.

  6. step 06

    Add the details of the clothing, including the lace collar.

  7. step 07

    Refine the facial features, paying attention to the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · yellow ochre · burnt umber · cerulean blue

secondary · cadmium red · titanium white · ivory black

Mix yellow ochre, burnt umber, and cadmium red with white to achieve various skin tones. Use cerulean blue and white for the background, adding small amounts of other colors for variation.

techniques

  • ·portraiture
  • ·color mixing
  • ·visible brushstrokes
  • ·layering
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the face wrong.
  • →Overworking the details too early.
  • →Not paying attention to the direction of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·painting rags
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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