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home·artworks·Girl at the Lottery
Girl at the Lottery by Peter Fendi

plate no. 5118

Girl at the Lottery

Peter Fendi, 1829

oil, canvasBiedermeiergenre paintingfigureinteriorlotterybasketdressnumbers
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones, drapery, and creating subtle variations in color temperature to suggest light and shadow. It also provides practice in depicting complex textures like woven baskets.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and key elements.

  2. step 02

    Establish the background colors, paying attention to the subtle shifts in tone.

  3. step 03

    Block in the main shapes of the figure, including the dress, blouse, and skin tones.

  4. step 04

    Begin refining the details of the face, focusing on accurate proportions and subtle shading.

  5. step 05

    Develop the drapery of the dress and blouse, paying attention to the folds and highlights.

  6. step 06

    Add details to the basket, carefully rendering the woven texture.

  7. step 07

    Paint the lottery board with numbers and text.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · Prussian blue · Venetian red · sap green

Mix skin tones using titanium white, yellow ochre, and a touch of Venetian red. Create shadows by adding raw umber and a hint of Prussian blue. Achieve the green in the blouse by mixing yellow ochre and Prussian blue.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to accurately capture the proportions of the figure.
  • →Ignoring the subtle shifts in color temperature, resulting in a muddy or unrealistic painting.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Titanium white oil paint
  • ·Raw umber oil paint
  • ·Ivory black oil paint
  • ·Yellow ochre oil paint
  • ·Venetian red oil paint
  • ·Prussian blue oil paint
  • ·Round brushes (sizes 2, 4, 6)

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits

Use high-quality oil paints for best results. Consider using a medium like linseed oil to improve the flow of the paint.

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oil painting for beginners →how to learn by studying the masters →
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