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home·artworks·Girl and Lamp in a Cornish Window
Girl and Lamp in a Cornish Window by Christopher Wood

plate no. 0490

Girl and Lamp in a Cornish Window

Christopher Wood, 1928

oilNaïve Art (Primitivism)portraitportraitlampwindowinteriorfigurelandscape
some experience helpful

Recreating this painting will help students practice simplifying complex forms and using visible brushstrokes to create texture. It also provides an opportunity to study color mixing for skin tones and creating a sense of depth with limited color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas, focusing on proportions.

  2. step 02

    Block in the main areas of color: background, skin, hair, clothing, and lamp.

  3. step 03

    Begin refining the shapes and adding details to the face, paying attention to the light and shadow.

  4. step 04

    Add details to the lamp and other objects, using thicker paint and visible brushstrokes.

  5. step 05

    Work on the background, blending colors and creating a sense of depth.

  6. step 06

    Refine the edges and add final details, such as highlights and shadows.

  7. step 07

    Step back and assess the painting, making any necessary adjustments.

  8. step 08

    Let the painting dry completely.

color palette

primary · titanium white · ultramarine blue · yellow ochre · burnt sienna

secondary · cadmium red · viridian green

Mix white with yellow ochre and a touch of red for skin tones. Use ultramarine blue and white for the clothing. Combine yellow ochre, burnt sienna, and white for the lamp.

techniques

  • ·dry brush texture
  • ·color blocking
  • ·simplification of forms
  • ·visible brushstrokes
  • ·limited palette

common pitfalls

  • →Overworking the details
  • →Getting the proportions wrong
  • →Using too many colors
  • →Blending too much and losing the texture

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a limited palette to simplify the color mixing process. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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