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home·artworks·Geraniums
Geraniums by Corneliu Michailescu

plate no. 4013

Geraniums

Corneliu Michailescu, 1960

oilPost-Impressionismcityscapebuildingflowerspotsarchitectureplantsfacade
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve nuanced blues and greens, and practice applying thick, expressive brushstrokes to build form and texture. It also provides a good exercise in capturing light and shadow using color temperature rather than just value.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition lightly on the canvas, paying attention to the perspective of the building.

  2. step 02

    Block in the large areas of color, starting with the sky and building facade using diluted paint.

  3. step 03

    Add the darker blues and purples to define the shadows and architectural details.

  4. step 04

    Paint the flower pots and plants, focusing on capturing the shapes and colors with bold brushstrokes.

  5. step 05

    Mix and apply the colors of the flowers, using short, broken strokes to create texture.

  6. step 06

    Add highlights to the flowers and foliage to create a sense of depth.

  7. step 07

    Refine the details of the building and plants, adjusting colors and values as needed.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · cerulean blue · sap green · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Mix blues with white and a touch of yellow ochre to create the various shades of the building. Use ultramarine blue and cadmium red to create the purples. Mix sap green with yellow ochre and white for foliage.

techniques

  • ·impasto
  • ·broken color
  • ·color mixing
  • ·alla prima
  • ·scumbling

common pitfalls

  • →Overblending the colors, which can result in a muddy appearance.
  • →Not capturing the correct values, which can flatten the image.
  • →Getting the perspective wrong, which can make the building look distorted.
  • →Being too timid with brushstrokes, which can result in a lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·cerulean blue oil paint
  • ·sap green oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (flat and round)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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