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home·artworks·George V in Coronation Robes.
George V in Coronation Robes. by Luke Fildes

plate no. 8617

George V in Coronation Robes.

Luke Fildes, 1911

oilAcademicismportraitfigureportraitrobecrownroyalinterior
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex textures like fur and fabric. It also provides practice in depicting light and shadow to create depth and volume.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure proportions and composition on the canvas.

  2. step 02

    Block in the large areas of color, focusing on the background, robe, and figure's clothing.

  3. step 03

    Refine the facial features, paying close attention to the light and shadow to create a realistic likeness.

  4. step 04

    Develop the details of the robe, including the fur trim, gold embroidery, and red velvet lining.

  5. step 05

    Add details to the uniform, including buttons, medals, and gold braid.

  6. step 06

    Paint the crown and the table it rests on, capturing the reflective surfaces and intricate details.

  7. step 07

    Refine the overall painting, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · crimson red · raw umber · titanium white

secondary · yellow ochre · ultramarine blue · gold

Achieve the skin tones by mixing titanium white, yellow ochre, and a touch of crimson red. Create the dark blacks and browns by mixing ivory black, raw umber, and a touch of ultramarine blue.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·rendering fur
  • ·fabric depiction

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to capture the likeness of the subject.
  • →Overworking the details and losing the overall harmony of the painting.
  • →Not paying enough attention to the light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·ivory black oil paint
  • ·crimson red oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 8, 10)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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