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Gathering Flowers by Richard Whitney

plate no. 8742

Gathering Flowers

Richard Whitney

oil, canvasContemporary Realismgenre paintingfigureflowersgardentreesfoliagehat
some experience helpful

Recreating this painting will help students develop skills in depicting natural light and shadow on foliage and flowers, as well as capturing the form of a figure in a garden setting. Students will also learn to create depth through layering and color variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the overall arrangement of the garden.

  2. step 02

    Establish the background, blocking in the dark tones of the trees and foliage.

  3. step 03

    Begin layering in the mid-tones and highlights of the foliage, creating depth and texture.

  4. step 04

    Block in the general shapes and colors of the flowers, paying attention to their placement and variety.

  5. step 05

    Refine the figure, focusing on the light and shadow on the dress and hat.

  6. step 06

    Add details to the flowers, using small brushstrokes to create texture and form.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of harmony and balance.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · cadmium yellow · alizarin crimson · ultramarine blue · titanium white

secondary · yellow ochre · burnt umber · sap green

Mix greens by combining ultramarine blue and cadmium yellow. Create various shades of pink and red by mixing alizarin crimson with white and small amounts of yellow. Use burnt umber to darken colors and create shadows.

techniques

  • ·layering
  • ·scumbling
  • ·broken color
  • ·color mixing
  • ·blending

common pitfalls

  • →Overworking the details in the flowers, resulting in a cluttered appearance.
  • →Failing to establish a strong value structure, leading to a flat and lifeless painting.
  • →Ignoring the subtle color variations in the foliage, resulting in a monotonous background.
  • →Not paying attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (cadmium yellow, alizarin crimson, ultramarine blue, titanium white, yellow ochre, burnt umber, sap green)
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use high-quality oil paints for best results. A medium can be added to the paints to improve flow and drying time.

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