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home·artworks·Gardens of the Generalife
Gardens of the Generalife by Santiago Rusinol

plate no. 2820

Gardens of the Generalife

Santiago Rusinol, 1895

oilPost-Impressionismlandscapetreesgardenpathwayarchitecturefoliagesteps
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering foliage with varied brushstrokes. It also provides practice in creating depth and dimension using color and value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the pathway and the placement of the trees.

  2. step 02

    Block in the large shapes of the trees, walls, and pathway with thin washes of color.

  3. step 03

    Establish the light and shadow patterns, paying attention to the direction of the light source.

  4. step 04

    Begin adding details to the trees, using broken brushstrokes to create texture and variation.

  5. step 05

    Refine the colors and values, gradually building up the layers of paint.

  6. step 06

    Add details to the architectural elements, such as the walls and steps.

  7. step 07

    Pay attention to the details in the foliage, adding highlights and shadows to create depth.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · viridian green · yellow ochre · titanium white

secondary · burnt umber · cadmium yellow · ultramarine blue

Mix greens by blending viridian green with yellow ochre and titanium white. Use burnt umber and ultramarine blue to create darker shades for shadows. Add cadmium yellow to yellow ochre for highlights.

techniques

  • ·broken brushstrokes
  • ·atmospheric perspective
  • ·color layering
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Overworking the details in the trees, resulting in a flat and lifeless appearance.
  • →Failing to establish a clear light source, leading to a lack of depth and dimension.
  • →Using colors that are too saturated, creating an unrealistic and jarring effect.
  • →Ignoring the principles of atmospheric perspective, resulting in a flat and compressed composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (viridian green, yellow ochre, titanium white, burnt umber, cadmium yellow, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a painting medium to improve the flow and blending of the oil paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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