apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Garden
Garden by Panayiotis Tetsis

plate no. 9688

Garden

Panayiotis Tetsis, 1972

oilPost-Impressionismlandscapetreeslandscapebuildingsfoliagepathgarden
some experience helpful

Recreating this painting will help students develop skills in layering paint to create depth and using broken color to represent textures. It also encourages simplification of complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the trees and buildings.

  2. step 02

    Establish the overall value structure with a thin wash of color, indicating light and shadow.

  3. step 03

    Begin blocking in the large areas of color, starting with the greens of the foliage and the browns of the path.

  4. step 04

    Layer in darker tones to define the shapes of the trees and add depth to the shadows.

  5. step 05

    Introduce lighter tones to create highlights and suggest the form of the buildings.

  6. step 06

    Use broken color and short brushstrokes to create texture and visual interest in the foliage.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final touches and highlights to bring the painting to life.

color palette

primary · viridian green · yellow ochre · raw umber

secondary · titanium white · cadmium yellow light · ivory black

Mix greens by combining viridian green with yellow ochre and titanium white. Use raw umber and yellow ochre with white to create earth tones. Black is used sparingly to darken values.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·alla prima
  • ·value studies

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating overly smooth blends, which can flatten the image.
  • →Failing to establish a clear value structure early on.
  • →Getting lost in details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the broken color effect. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov