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home·artworks·Game of little girls in the palm grove or Game of deception or Tzalbiha
Game of little girls in the palm grove or Game of deception or Tzalbiha by Nasreddine Dinet

plate no. 3655

Game of little girls in the palm grove or Game of deception or Tzalbiha

Nasreddine Dinet

oil, canvasOrientalismgenre paintingfigurespalm treeslandscapeclothingfoliagegroup
some experience helpful

Recreating this painting will develop skills in rendering figures in a landscape setting and understanding how light interacts with different textures and materials. Students will also learn to create depth through color and value variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main elements of the landscape.

  2. step 02

    Establish the overall color scheme by laying in a thin wash of warm earth tones for the background and cooler tones for the figures' clothing.

  3. step 03

    Block in the main shapes of the figures, paying attention to proportions and anatomical details.

  4. step 04

    Begin to refine the details of the figures' faces and clothing, adding highlights and shadows to create form.

  5. step 05

    Develop the background, adding details to the palm trees and foliage.

  6. step 06

    Refine the lighting and shadows, paying attention to the direction of the light source.

  7. step 07

    Add final details, such as textures and patterns, to the figures' clothing and the surrounding landscape.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a sense of depth.

color palette

primary · burnt umber · yellow ochre · titanium white · raw sienna

secondary · ultramarine blue · alizarin crimson · sap green

Achieve skin tones by mixing burnt umber, yellow ochre, and titanium white. Use ultramarine blue and burnt umber to create shadows and depth. Mix sap green with yellow ochre and a touch of blue for the foliage.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·color blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (burnt umber, yellow ochre, titanium white, raw sienna, ultramarine blue, alizarin crimson, sap green)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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