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home·artworks·Frosty evening (Sofia Kiev)
Frosty evening (Sofia Kiev) by Yuriy Khymych

plate no. 8758

Frosty evening (Sofia Kiev)

Yuriy Khymych, 1992

gouachePost-Impressionismcityscapearchitecturechurchdomescityscapesnowsky
some experience helpful

Recreating this painting will help students develop skills in simplifying complex architectural forms and using a limited color palette to create a cohesive and atmospheric scene. It also provides practice in layering and blending gouache to achieve depth and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and domes, paying attention to proportions and perspective.

  2. step 02

    Block in the sky with a thin wash of pale yellow and grey, allowing some areas to remain unpainted for highlights.

  3. step 03

    Apply a base layer of grey-blue to the buildings, varying the tone slightly to suggest form.

  4. step 04

    Add darker shades of blue and grey to create shadows and define architectural details.

  5. step 05

    Use a dry brush technique to apply highlights of white and pale blue to simulate snow on the domes and rooftops.

  6. step 06

    Paint the details of the domes, including the gold accents and crosses, using small brushes.

  7. step 07

    Add the foreground snow with varying shades of blue, creating texture with short brushstrokes.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · Prussian blue · Titanium white · Payne's gray

secondary · Yellow ochre · Burnt umber

Mix Prussian blue and Payne's gray for the darker blues. Add white to create lighter shades of blue and grey. Use yellow ochre and burnt umber sparingly for the gold accents on the domes.

techniques

  • ·Dry brushing
  • ·Layering
  • ·Color mixing
  • ·Simplifying forms
  • ·Atmospheric perspective

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Using too much water and creating a muddy effect.
  • →Failing to establish a strong value structure.
  • →Not simplifying the architectural details enough.

materials

surface · Watercolor paper (140lb)

required

  • ·Gouache paints
  • ·Round brushes (sizes 2, 6, 10)
  • ·Flat brush (size 1/2 inch)
  • ·Watercolor paper (140lb)
  • ·Palette
  • ·Water container
  • ·Paper towels
  • ·Pencil

optional

  • ·Palette knife
  • ·Masking tape
  • ·Easel

Using high-quality gouache paints will result in richer colors and better blending. Experiment with different brush sizes to achieve various effects.

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related guides

color theory for painters →how to learn by studying the masters →
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