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home·artworks·From Húsafell, West Iceland
From Húsafell, West Iceland by Asgrimur Jonsson

plate no. 7729

From Húsafell, West Iceland

Asgrimur Jonsson, 1950

oilPost-Impressionismlandscapelandscapetreesmountainsskyfoliagefield
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using expressive brushstrokes to capture the texture of nature. It also encourages simplification of forms and bold color choices.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains, trees, and foreground, paying attention to the overall composition.

  2. step 02

    Block in the sky with broad strokes of blue and white, suggesting the clouds.

  3. step 03

    Establish the mountain range with warm yellows, oranges, and browns, using a loose, painterly approach.

  4. step 04

    Begin layering the trees, using various shades of green, from dark to light, to create depth and dimension.

  5. step 05

    Define the foreground with a mix of greens, reds, and browns, creating a sense of texture and variation.

  6. step 06

    Add details to the trees and foliage, using smaller brushstrokes to suggest leaves and branches.

  7. step 07

    Refine the overall composition, adjusting colors and values as needed to create a harmonious and balanced image.

  8. step 08

    Add final touches and highlights to enhance the sense of light and atmosphere.

color palette

primary · viridian green · yellow ochre · ultramarine blue · burnt sienna

secondary · cadmium red · titanium white · raw umber

Mix greens by combining blue and yellow, and create earth tones by mixing red, yellow, and brown. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·layering
  • ·color mixing
  • ·expressive brushwork

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating mud by overmixing colors.
  • →Failing to establish a strong value structure.
  • →Ignoring the overall composition and focusing too much on details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·turpentine

Use a medium-sized canvas (e.g., 16x20 inches) for this project. Acrylics are recommended for beginners due to their faster drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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