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home·artworks·From "Dispersion"
From "Dispersion" by Samira Eskandarfar

plate no. 8774

From "Dispersion"

Samira Eskandarfar, 2007

oil, canvasContemporary Realismportraitportraitwomanglassesshadowfacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing realistic skin tones and rendering light and shadow. It also provides practice in accurately depicting facial features and creating a sense of depth.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the face and glasses.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber.

  3. step 03

    Begin building up the skin tones using a limited palette of white, burnt umber, and a touch of yellow ochre.

  4. step 04

    Carefully blend the transitions between light and shadow to create a smooth, realistic effect.

  5. step 05

    Paint the glasses, paying attention to the reflections and transparency.

  6. step 06

    Add details to the hair, using short, directional brushstrokes.

  7. step 07

    Refine the facial features, such as the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · titanium white · burnt umber · ivory black

secondary · yellow ochre · raw sienna

Mix various shades of brown and gray by combining burnt umber, ivory black, and titanium white. Add a touch of yellow ochre to warm up the skin tones.

techniques

  • ·value study
  • ·chiaroscuro
  • ·blending
  • ·glazing
  • ·portraiture

common pitfalls

  • →Incorrect proportions of facial features.
  • →Over-blending, resulting in a flat, lifeless appearance.
  • →Ignoring the subtle variations in skin tone.
  • →Getting the glasses wrong - reflections and transparency are key.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·yellow ochre oil paint
  • ·raw sienna oil paint

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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oil painting for beginners →how to learn by studying the masters →
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