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home·artworks·Freyung in Vienna, View from the southeast
Freyung in Vienna, View from the southeast by Bernardo Bellotto

plate no. 0087

Freyung in Vienna, View from the southeast

Bernardo Bellotto, 1758

oil, canvasRocococityscapecityscapebuildingsfiguresskyarchitecturemarket
experienced study

Recreating this painting will help students develop skills in perspective drawing, atmospheric perspective, and rendering fine details in architecture and figures. It also provides practice in mixing subtle color variations to create a sense of depth and realism.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic perspective and placement of major elements (buildings, church, square).

  2. step 02

    Block in the sky with a thin wash of pale blue and white, paying attention to subtle variations in tone.

  3. step 03

    Establish the basic shapes and values of the buildings, using a limited palette of earth tones and grays.

  4. step 04

    Add details to the buildings, such as windows, doors, and architectural ornamentation, using fine brushes.

  5. step 05

    Paint the ground plane with a mix of browns and grays, creating a sense of depth and texture.

  6. step 06

    Add the figures and market stalls, paying attention to their relative scale and placement within the scene.

  7. step 07

    Refine the details of the figures and market stalls, adding highlights and shadows to create a sense of form.

  8. step 08

    Add final touches, such as birds in the sky or reflections in the windows, to enhance the overall realism of the painting.

color palette

primary · raw umber · titanium white · cerulean blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve the subtle grays and browns by mixing raw umber, ivory black, and titanium white in varying proportions. Use cerulean blue and white for the sky, and add a touch of yellow ochre for warmth.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·rendering

common pitfalls

  • →Incorrect perspective can ruin the entire composition.
  • →Overworking the details can make the painting look stiff and unnatural.
  • →Using too much color can detract from the overall sense of realism.
  • →Failing to establish a clear focal point can make the painting feel chaotic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will make it easier to render fine details.

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oil painting for beginners →how to learn by studying the masters →
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