apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Frank Lloyd and His Family in Paradise Island
Frank Lloyd and His Family in Paradise Island by Fernando Botero

plate no. 4990

Frank Lloyd and His Family in Paradise Island

Fernando Botero, 1972

oilNaïve Art (Primitivism)portraitfamilyfigurespalm treespoolportraitgarden
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve realistic skin tones and understanding of how to create a sense of depth through layering and subtle value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and background elements, paying attention to proportions and placement.

  2. step 02

    Block in the main color areas for the skin tones, clothing, and background, focusing on overall color harmony.

  3. step 03

    Begin to refine the skin tones with subtle variations in color and value, creating a sense of volume and form.

  4. step 04

    Add details to the clothing, such as the polka dots on the woman's skirt and the texture of the man's suit.

  5. step 05

    Paint the background elements, including the palm trees, pool, and other details, using a variety of greens and blues.

  6. step 06

    Add highlights and shadows to create depth and dimension in the painting.

  7. step 07

    Refine the details of the faces, paying attention to the eyes, nose, and mouth.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and finished painting.

color palette

primary · yellow ochre · burnt sienna · ivory black · titanium white

secondary · sap green · ultramarine blue · cadmium red light

Mix skin tones by blending yellow ochre, burnt sienna, and white, adding small amounts of red or blue to adjust the hue. Achieve the various greens by mixing yellow and blue, and adjust with white or brown.

techniques

  • ·color mixing
  • ·blending
  • ·layering
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Not paying attention to proportions, leading to distorted figures.
  • →Ignoring the subtle value changes in the skin tones, resulting in flat and lifeless figures.
  • →Rushing the process and not allowing enough time for each layer to dry.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·Medium gloss
  • ·Retarder medium
  • ·Easel

Use a canvas with a smooth surface for best results. Consider using a medium to slow the drying time of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Shepherd and his Lover

Shepherd and his Lover

Bertalan Por

The sketch to the movie "Colour of Pomegranate". "Muse"

The sketch to the movie "Colour of Pomegranate". "Muse"

Sergei Parajanov

Surprised!

Surprised!

Henri Rousseau

Holy Mountain I

Holy Mountain I

Horace Pippin

Gibraltar

Gibraltar

Alfred Wallis

Willage. Horse Taming

Willage. Horse Taming

Victor Palmov

Old Corn Mill, Keighley

Old Corn Mill, Keighley

John Bradley

Winter Still Life with Candle

Winter Still Life with Candle

Mary Fedden