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home·artworks·Francois Guizot (after a painting by Paul Delaroche)
Francois Guizot (after a painting by Paul Delaroche) by Jehan Georges Vibert

plate no. 1158

Francois Guizot (after a painting by Paul Delaroche)

Jehan Georges Vibert

oil, canvasAcademicismportraitportraitfiguremanclothingmarblebackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle value gradations for realistic skin tones. It also provides practice in rendering fabric and marble textures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main value areas with a thin wash of color, focusing on the light and shadow patterns.

  3. step 03

    Begin building up the skin tones with layers of subtle color variations, paying close attention to the highlights and shadows.

  4. step 04

    Paint the clothing, focusing on the folds and textures of the fabric.

  5. step 05

    Render the marble background with soft, blended strokes to create a sense of depth and realism.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small brushes and precise strokes.

  7. step 07

    Refine the edges and details throughout the painting, ensuring that the overall composition is balanced and harmonious.

  8. step 08

    Add final highlights and shadows to enhance the sense of realism.

color palette

primary · ivory black · titanium white · raw umber · yellow ochre

secondary · burnt sienna · cadmium red light

Mix various shades of gray and brown by combining ivory black, titanium white, and raw umber. Use yellow ochre and burnt sienna to create warm skin tones, and add a touch of cadmium red light for the cheeks and lips.

techniques

  • ·portraiture
  • ·glazing
  • ·value studies
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the clothing and background.
  • →Ignoring the subtle value gradations in the marble.
  • →Overblending, resulting in a flat and lifeless appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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