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home·artworks·Forest edge
Forest edge by Wassily Kandinsky

plate no. 3219

Forest edge

Wassily Kandinsky, 1903

oil, canvasPost-Impressionismlandscapetreesforestlandscapewaterfoliageautumn
some experience helpful

Recreating this painting will help students develop skills in layering colors with visible brushstrokes and understanding how to depict light and reflection in a landscape. It also encourages experimentation with color mixing to achieve a range of autumnal hues.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, indicating the horizon line and the placement of the trees and water.

  2. step 02

    Apply a thin wash of burnt umber or raw sienna to tone the canvas.

  3. step 03

    Block in the dark areas of the forest with a mix of dark green, brown, and black.

  4. step 04

    Begin layering the foliage with yellows, oranges, reds, and greens, using short, broken brushstrokes.

  5. step 05

    Create the water surface with horizontal strokes of green, yellow, and white, adding reflections of the trees.

  6. step 06

    Add details to the tree trunks and branches with thin lines of brown and black.

  7. step 07

    Refine the highlights and shadows in the foliage and water to create depth and dimension.

  8. step 08

    Add final touches and adjust colors as needed.

color palette

primary · yellow ochre · sap green · burnt sienna · ultramarine blue

secondary · cadmium yellow · cadmium red · titanium white · ivory black

Mix greens by combining yellows and blues, and create variations in the foliage by adding small amounts of red, brown, or white to the greens, yellows, and oranges. Use white to lighten colors and create highlights.

techniques

  • ·impasto
  • ·broken color
  • ·layering
  • ·scumbling
  • ·wet-on-dry

common pitfalls

  • →Overblending the colors, which can result in a muddy appearance.
  • →Not varying the brushstrokes enough, leading to a flat and monotonous texture.
  • →Failing to create a sense of depth and dimension in the foliage and water.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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