apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Forentice Landscape, Viale dei Colli
Forentice Landscape, Viale dei Colli by Maurice Denis

plate no. 9945

Forentice Landscape, Viale dei Colli

Maurice Denis, 1898

oil, boardPost-Impressionismlandscapelandscapehillstreesbuildingscityscapesky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes of the hills and buildings.

  2. step 02

    Apply a thin wash of burnt sienna or raw umber as an underpainting to establish the overall warm tone.

  3. step 03

    Block in the sky with a mix of blue, white, and a touch of yellow, blending softly.

  4. step 04

    Paint the distant mountains with muted blues and greens, using lighter values for areas closer to the horizon.

  5. step 05

    Add the hillside using a mix of greens, browns, and yellows, varying the values to create depth and texture.

  6. step 06

    Paint the buildings with simplified shapes and colors, paying attention to the light and shadow.

  7. step 07

    Add details such as trees and bushes using small, broken brushstrokes.

  8. step 08

    Refine the painting by adding highlights and shadows, and adjusting the colors as needed.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · sap green · raw umber · cadmium yellow light

Achieve the muted greens by mixing yellow ochre with ultramarine blue and a touch of white. Use burnt sienna and raw umber to create the warm earth tones, and add white to lighten the values.

techniques

  • ·dry brush texture
  • ·color layering
  • ·simplified shapes
  • ·atmospheric perspective
  • ·broken color

common pitfalls

  • →Overworking the details
  • →Using colors that are too bright or saturated
  • →Failing to establish a clear value structure
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·easel
  • ·painting medium

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dinner Party

The Dinner Party

Jules-Alexandre Grun

La Fleuriste

La Fleuriste

Le Pho

Family on Vacation

Family on Vacation

Roman Selsky

Old wooden cottage in the snow

Old wooden cottage in the snow

Alfred Freddy Krupa

Paris Street

Paris Street

Maurice Utrillo

Grand bouquet of mimosa

Grand bouquet of mimosa

Moise Kisling

Versailles

Versailles

Alexandre Benois

Autumn Landscape with Birches

Autumn Landscape with Birches

Konstantin Gorbatov