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home·artworks·Flowers in white vase
Flowers in white vase by David Burliuk

plate no. 2135

Flowers in white vase

David Burliuk, 1956

oil, canvasPost-Impressionismflower paintingflowersvasestill lifefruitlandscapetrees
some experience helpful

Recreating this painting will help students develop skills in layering paint to create texture and using color to suggest form and depth. It also encourages expressive brushwork and capturing the essence of a subject rather than precise realism.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase, flowers, and background elements.

  2. step 02

    Block in the background with broad strokes of blue and green, creating a sense of depth.

  3. step 03

    Establish the main colors of the flowers, focusing on the overall color harmony.

  4. step 04

    Add layers of paint to build up texture and detail in the flowers and vase.

  5. step 05

    Introduce highlights and shadows to define the form of the objects.

  6. step 06

    Refine the details of the fruit and the surrounding table.

  7. step 07

    Add final touches to the background, such as the suggestion of trees and a building.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · ultramarine blue · titanium white · cadmium yellow · alizarin crimson

secondary · sap green · burnt umber · yellow ochre

Mix various shades of blue and green for the background. Achieve the flower colors by mixing primary colors with white. Use burnt umber and yellow ochre for the fruit and table.

techniques

  • ·impasto
  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the expressive brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear focal point.
  • →Ignoring the importance of color harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the impasto effect. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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