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Flowers by Christopher Wood

plate no. 6693

Flowers

Christopher Wood, 1930

oilPost-Impressionismflower paintingflowersvasestill lifetable
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and color mixing to create a sense of depth and form. It also provides practice in capturing the essence of a subject rather than precise realism.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the outline of the vase and the general shapes of the flowers.

  2. step 02

    Block in the background with a thin wash of grey, using horizontal brushstrokes.

  3. step 03

    Establish the main colors of the flowers: yellow for daffodils, red for poppies, white and pink for anemones.

  4. step 04

    Add darker values to the centers of the flowers and the shadows within the petals.

  5. step 05

    Paint the vase with loose, vertical strokes of green, brown, and grey to suggest transparency.

  6. step 06

    Add details to the stems and leaves, using darker greens and browns.

  7. step 07

    Refine the shapes of the flowers and the vase, paying attention to the negative space around them.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · yellow ochre · cadmium red · titanium white

secondary · sap green · burnt umber · ultramarine blue

Mix white with small amounts of blue and umber for the background. Use yellow ochre and a touch of red for the daffodils. Mix red with a touch of umber for the poppies. Use white with a touch of pink or purple for the anemones.

techniques

  • ·dry brush texture
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Making the colors too saturated and bright.
  • →Not paying attention to the negative space around the flowers.
  • →Creating a flat, two-dimensional image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·apron

A slightly textured canvas will enhance the dry brush effect. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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