
plate no. 9530
Joan Miro, 1922
This painting offers a good opportunity to practice rendering botanical forms and decorative patterns. Students can develop skills in color mixing to achieve the muted tones and in creating textures with layering.
technical profile
approach — 8 steps
Sketch the basic shapes of the vase, flowers, leaves, branches, and butterfly, paying attention to proportions and placement.
Block in the background color with a thin wash of ochre or yellow ochre.
Establish the base colors for the vase, including the highlights and shadows.
Paint the main colors of the flowers and leaves, focusing on the overall shapes and values.
Add details to the vase, including the decorative floral pattern.
Refine the shapes and colors of the flowers and leaves, adding details like veins and textures.
Paint the butterfly, paying attention to the wing patterns and colors.
Add the cracked texture to the ground plane.
color palette
primary · yellow ochre · burnt sienna · sap green · red
secondary · titanium white · ultramarine blue · raw umber
Mix yellow ochre with white for the background. Use burnt sienna and raw umber for the branches and vase shadows. Mix greens by combining yellow ochre, ultramarine blue and white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for better texture. Acrylics will dry faster, while oils allow for more blending time.
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